And sometimes the best route is to not fire a single shot at all, but to move silently to your objective without the enemy realising you’re even there. Often the best option is to take down the enemy one by one, carefully considering your next target in order to prevent a patrolling guard from stumbling over a dead body and raising the alarm. It forces you to think strategically, to plan ahead and use cover at all times. It’s a punishing game in some respects, and you cannot stand out in the open and expect to survive for more than a few seconds. Play Future Soldier as you would Call of Duty or Battlefield and you won’t last long.
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This childhood ritual seeded in Kojima a deep love of cinema, which can be seen running throughout the Metal Gear series of military-themed video games that he’s directed over the last three decades. Those kids had to finish their cauliflower. His experience was, he has said, the “opposite” of how it is for most children. Kojima wasn’t allowed to go to bed till the film had finished, even if it contained sex scenes. Each evening, the family would sit down to watch a movie together. W hen Hideo Kojima was a young boy, his parents introduced a daily ritual. |
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